ALL REVIEWS
Pridelands Debut “Light Bends” (REVIEW)
Over the last several years, Pridelands has begun to establish themselves as a rather prominent modern metalcore group. They have everything necessary to succeed in the genre. Driving grooves, catchy melodies, intense vocals, techy riffs, all the necessities. But that’s...
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REVIEW: Static Dress Release Visceral Debut EP ‘Prologue’
Rising UK post hardcore outfit Static Dress have released their debut EP ‘Prologue’, set as a soundtrack for an accompanying comic book of the same name that details the story and lore interwoven with the EP’s release and lyrical content....
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ALBUM REVIEW: IMMINENCE – ‘HEAVEN IN HIDING’
Swedish alternative metalcore outfit Imminence have returned with their fourth full-length studio album ‘Heaven In Hiding’, which follows up their 2019 magnum opus ‘Turn The Light On’. After finally coming into their own and exploding onto the scene with a...
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Volumes Returns Happier Than Ever Before (Review)
After the mass acclaim from fans of ‘Via,’ Volumes have been trying to reach that same level of power as their debut. After the departure of Michael Barr, the band continued with Gus Farias and the addition of Myke Terry,...
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Converge and Chelsea Wolfe Team Up For Masterful Debut of Forces (Review)
It was 2016 at the Roadburn Festival in the Netherlands. Converge was joined by Chelsea Wolfe, her bandmate Ben Chisolm, and Cave In vocalist/guitarist Stephen Brodsky. The unlikely combination of artistry under the name Blood Moon performed revamped Converge classics...
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REVIEW: Silent Planet – ‘Iridescent’
NOTE: The following piece is a collaborative effort between staff writers Mateo Ottie and Tyler White. “Pull me back to the nightmare, I’d rather be fragile than forever alone.” This simple line that closes the album summarizes Silent Planet’s fourth...
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