REVIEWS
Northlane Industrialize Metal With “Obsidian” (REVIEW)
April 22, 2022
Throughout the years, Northlane has gone through many changes in their sound, moving from being pioneers of the progressive metalcore...
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REVIEW: Monuments – ‘In Stasis’
April 15, 2022
Transatlantic progressive metal band Monuments have finally released their long-awaited new LP, ‘In Stasis’. The record is the quartet’s first...
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Greyhaven’s Beautifully Bright World (REVIEW)
April 15, 2022
Greyhaven sent shockwaves throughout the post-hardcore/metalcore scene in 2018 with their second release, ‘Empty Black.’ Their blend of intense, Every...
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Meshuggah Returns With “Immutable” (REVIEW)
April 5, 2022
Throughout the years, djent has grown as a genre within the metal community. Bands like Periphery, After the Burial, and...
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Erra’s Exceptional Deluxe Edition [REVIEW]
March 18, 2022
Last year, ERRA released their fifth full-length, which was highly regarded by fans in the metalcore realm. The self-titled record...
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Northlane Industrialize Metal With “Obsidian” (REVIEW)
Throughout the years, Northlane has gone through many changes in their sound, moving from being pioneers of the progressive metalcore scene to leaders of the modern metalcore/industrial mix that has grown in recent years. With their previous release ‘Alien,’ the band took a deep dive into their industrial/electronic influences, mixing their aggressive core side with […]
REVIEW: Monuments – ‘In Stasis’
Greyhaven’s Beautifully Bright World (REVIEW)
Meshuggah Returns With “Immutable” (REVIEW)
Erra’s Exceptional Deluxe Edition [REVIEW]
Bad Omens – ‘THE DEATH OF PEACE OF MIND’ (REVIEW)