ALL REVIEWS
REVIEW: Can’t Swim – ‘Thanks But No Thanks’
The New Jersey emo underdogs Can't Swim have returned with their fourth full-length album, 'Thanks But No Thanks'. It hasn't been too long since their last record dropped, which was about a year and a half prior to this one....
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Distant’s Intense ‘Heritage’ of Deathcore (REVIEW)
Hailing from The Netherlands and Slovakia, European deathcore group Distant’s newest record, ‘Heritage,’ is one of pure rage and chaos. Describing their style as downtempo deathcore with influences from brutal death metal, slam, and beatdown, Distant continues to develop their...
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REVIEW: Paramore – ‘This Is Why’
From the high school relationship dramatics of “Misery Business”, to the snarky “Grow Up”, and the reopening of old wounds on “Forgiveness”, frustration has always been a staple in Paramore’s lyricism. This sentiment of frustration is the loudest thus far...
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REVIEW: Pierce the Veil – ‘The Jaws Of Life’
Scene legends Pierce the Veil have returned from a seven year gap of no music with their fifth studio record, 'The Jaws of Life'. This record marks 17 years of Pierce the Veil being a band, and it definitely shows...
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Fencer’s Self-Titled Rocker (REVIEW)
After numerous singles and an EP under their belt, alternative rock crew Fencer have finally released their debut full-length. ‘Fencer’ is a journey through alt-rock terrain, taking influence from a variety of styles from Queens of the Stone Age to...
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REVIEW: Thousand Below – ‘Hell Finds You Everywhere’
Scene up and comers Thousand Below have dropped their third full-length record, 'Hell Finds You Everywhere'. It's their first full release since 2019's 'Gone In Your Wake' and the hype has been building to this album coming out. The record...
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