ALL REVIEWS
BRING ME THE HORIZON CHOOSE INNOVATION OVER CONFORMITY ON ‘POST HUMAN: SURVIVAL HORROR’ (REVIEW)
No one could accuse Bring Me The Horizon of ever going the route of stagnancy. The Sheffield, UK quintet could have easily gone and banged out a radio rock record after 2018’s experimental and divisive 'amo' which saw them truly...
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REVIEW: SAVING VICE – ‘BINARY’ EP; “ONE BAND’S DISCOURSE ON HOW TECHNOLOGY ENABLES DESTRUCTION’
How New England metalcore outfit Saving Vice really defines "symbiosis" is a burning question for anyone curious about the release of 'BINARY', the band's latest two song EP. An almost-too-ominous sounding machine appropriately introduces "The Simulation", a declaration of how we are...
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REVIEW: BAD OMENS – ‘FGBGFM UNPLUGGED’; “THROWING LIMITS ON CREATIVE VERSATILITY TO THE WIND”
Bad Omens are throwing limits on their creative versatility to the wind with the release of their latest project, 'FGBGFM Unplugged', an acoustic EP revisiting six songs from the band's full-length album, 'Finding God Before God Finds Me'. Chorus-driven "Never Know (Unplugged)", complete with...
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REVIEW: MAYDAY PARADE ‘OUT OF HERE’ EP – “CLASSIC & TIMELESS POP-PUNK”
Pop-punk fans of CaliberTV- Mayday Parade have given us yet another fantastic release and we’re totally here for it. Florida native Pop-punk powerhouses Mayday Parade have just released their brand new EP, 'Out of Here', and it is exactly what...
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REVIEW: KINGDOM OF GIANTS’ ‘PASSENGER’ IS METALCORE’S NEXT (SYNTH)WAVE
Whatever sci-fi techno landscape that Kingdom of Giants are living in has given their new record, 'Passenger', an incredible atmosphere. Either that or the California five piece are really hyped for Cyberpunk 2077. Regardless, 'Passenger' is like Kavinsky’s Nightcall from...
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REVIEW: BLOODBATHER – ‘SILENCE’ EP; “SONGS THAT SEETHE WITH RAGE”
Florida metalcore duo Bloodbather have returned with their latest EP, Silence, a collection of six songs demonstrating how the band continues to deliver a sound that sets them apart from the rest. In just under three minutes, “God” introduces listeners to a...
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