It is not with ear-shattering shrieks and speedy guitars that The Black Dahlia Murder begin their seventh studio album ‘Abysmal’ but with an ominously-building set of classical strings. Nothing stays soft for long, though, as the track ‘Receipt’ explodes into a careening cacophony of fiersome double-bass, ever-changing rhythms and energetic melodeath riffs. Following the experimental assault of ‘Everblack’, ‘Abysmal’ is […]